[The moment Joshua figures out what the purpose of this "Dreamscape" room is, it's easy to shape the setting of a city, vibrant in both color and noise with the music that once pervaded the streets through the speakers and headphones of certain people. There are stores with a wide variety of different fashion styles on display, his favorite ramen shop, WildKat cafe and the ridiculous graffiti of the establishment's owner plastered on different buildings...
... But despite the attention to detail, it's soulless. It's not the same Shibuya as the one that had actual living people in it, and as such, despite looking just like his city, he can't feel the same connection he had to it here. So after a while, he wipes it away, erases all of it except for one specific location. The place that was his home, deep in the tunnels away from the living. If someone chooses to poke around further back of this room, they'll find a room that's shrouded in darkness, with only one piece of furniture in it. A chair. The throne of the Composer.
Which, Joshua is currently sitting in, eyes closed and frowning as he's leaning over one arm of the chair. His current form makes him seem rather small in this chair. His feet even dangle off the floor, here.]
DII: Part Two
[When being reminded of Shibuya becomes a little too much, he starts over from scratch. Instead, he brings forth a new city, but still afamiliarone to Joshua. It's still soulless, but it's fine. It was empty to begin with, save for Joshua and the memories he had kept for company during his stay in this place. As such, he's used to it being this way. Still, there's little touches here and there that show that his attachment to Shibuya is still strong. Bright and colorful balloons and decorations, the same graffiti in new locations now...
This time, if you're actively looking for him, he can be found sitting on the edge of a roof, simply overlooking the little town. At least he seems a little less unhappy in this spot than the previous one, if no doubt still just as wistful regardless.]
DIII
[Once Joshua has finally been pulled away from the Dreamscape room, he allows a moment to look at the flowers here. He's not really a flower person, save for maybe finding certain ones to accessorize, but this isn't so bad... well. Provided that someone doesn't introduce him to any of the less feel-good ones here.
(This is absolutely an excuse to push him toward whichever flower you want, let's be real here)]
no subject
[The moment Joshua figures out what the purpose of this "Dreamscape" room is, it's easy to shape the setting of a city, vibrant in both color and noise with the music that once pervaded the streets through the speakers and headphones of certain people. There are stores with a wide variety of different fashion styles on display, his favorite ramen shop, WildKat cafe and the ridiculous graffiti of the establishment's owner plastered on different buildings...
... But despite the attention to detail, it's soulless. It's not the same Shibuya as the one that had actual living people in it, and as such, despite looking just like his city, he can't feel the same connection he had to it here. So after a while, he wipes it away, erases all of it except for one specific location. The place that was his home, deep in the tunnels away from the living. If someone chooses to poke around further back of this room, they'll find a room that's shrouded in darkness, with only one piece of furniture in it. A chair. The throne of the Composer.
Which, Joshua is currently sitting in, eyes closed and frowning as he's leaning over one arm of the chair. His current form makes him seem rather small in this chair. His feet even dangle off the floor, here.]
DII: Part Two
[When being reminded of Shibuya becomes a little too much, he starts over from scratch. Instead, he brings forth a new city, but still a familiar one to Joshua. It's still soulless, but it's fine. It was empty to begin with, save for Joshua and the memories he had kept for company during his stay in this place. As such, he's used to it being this way. Still, there's little touches here and there that show that his attachment to Shibuya is still strong. Bright and colorful balloons and decorations, the same graffiti in new locations now...
This time, if you're actively looking for him, he can be found sitting on the edge of a roof, simply overlooking the little town. At least he seems a little less unhappy in this spot than the previous one, if no doubt still just as wistful regardless.]
DIII
[Once Joshua has finally been pulled away from the Dreamscape room, he allows a moment to look at the flowers here. He's not really a flower person, save for maybe finding certain ones to accessorize, but this isn't so bad... well. Provided that someone doesn't introduce him to any of the less feel-good ones here.
(This is absolutely an excuse to push him toward whichever flower you want, let's be real here)]